BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Wednesday, September 11, 2024

“Drive Your Plow Over The Bones of The Dead" (post 3) by Olga Tokarczuk: Janina’s gratuitous symptoms of multiple personality in the rest of the novel


“But on the whole, from the time of my brief stay in custody I became very absentminded” (1, p. 219).


“I kept talking to myself and realized there was something wrong with me…I’d become pensive and would be lost in thought for hours at a time. I put down my keys in the garage, for instance, and couldn’t find them for a week” (1, p. 220).


“On several occasions, I seemed to hear other people’s thoughts” (1, p. 233).


“I could have been a pretty good writer. But at the same time I have trouble explaining my feelings and the motives of my behavior” (1, p. 249).


“I got home without being noticed. Once I was in the car I couldn’t remember a thing” (1, pp. 261-262).


“ But will you believe me when I say I didn’t do it entirely consciously? I instantly forgot what had happened, as if there were some powerful Defense Mechanisms protecting me. Perhaps I should ascribe it to my Ailments—quite simply, from time to time I was not Janina, but Bellona or Medea” (1, p. 262).


Comments: Gratuitous symptoms of multiple personality included memory gaps and alternate identities, possibly reflective of author's multiple personality trait.

1. Olga Tokarczuk. Drive Your Plow Over The Bones of The Dead. Trans. Antonia Lloyd-Jones., New York, Riverhead Books, 2009/2019.  

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