BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Thursday, November 28, 2024

“Deliverance” by James Dickey: Author has dialogues between different components of himself in a multiple-personality creative process

“I may not have had everything to do with this—with creating this—I said to myself in a silent voice that was different from my usual silent voice, but I have had something to do with it. Never before had I had such a powerful sense of being in a place I had created” (1, p. 14)…


“I think,” I said, “that we’ll never get out of this gorge alive.”

Did I say that? I thought. Yes, dream man said, you did. You said it and you believe it” (1, p. 138).


 “What can we do?”

 “We can do three things,” I said, and some other person began to tell me what they were…

  “I liked hearing the sound of my voice in the mountain speech, especially in the dark; it sounded like somebody who knew where he was and knew what he was doing…” (1, p. 140).


Comment: Creative process has involved internal dialogues among alternate personalities.


1. James Dickey. Deliverance. New York, Mariner Classics, 1970/2023.

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