BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Sunday, December 22, 2024

 “Martyr!” By Kaveh Akbar: Protagonist’s Unlabeled Multiple-Personality Issues in both Creative Writing and Intimacy

“Cyrus was a good poet when he wrote, but he rarely actually wrote. Before getting sober, Cyrus didn’t write so much as he drank about writing, describing booze as essential to his process, ‘nearly sacramental’–he really said it like that—in the way it ‘opened his mind to the hidden voice’ beneath the mundane ‘argle-bargle of the every-day.’ Of course, when he drank, he rarely did anything else but drink. ‘First you take a drink, then the drink takes a drink, then the drink takes you!’ Cyrus would announce proudly to a room, to a bar, forgetting from whom he’d lifted the line.”


“In sobriety, he endured long periods of writer’s block, or more accurately, writer’s ambivalence. Writer’s antipathy” (1, p. 10).


“Getting sober means having to figure out how to spend twenty-four hours a day. It means building an entirely new personality" (1, p. 271).


Comment: The “hidden voice” sounds like the voice of a creative-writing alternate personality who can take over whenever the regular personality is subdued by alcohol. Of course, writing will be impaired if the person gets too drunk.


“Cyrus just ended up with people, their gender rarely figuring significantly into his interest” (1, p. 151).


Comment: “At least half of all MPD patents [also have] cross-gender alternate personalities” (2, p. 110).


1. Kaveh Akbar. Martyr!  New York, Alfred A. Knopf, 2024.

2. Frank W. Putnam, MD. Diagnosis and Treatment of Multiple Personality Disorder. New York, The Guilford Press, 1989.

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