BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Tuesday, January 7, 2025

 “Chasing The BOOGEYMAN” by Richard Chizmar: Author's Note

 “…Now, as many writers will tell you, some stories are born prematurely; you might have the skeleton of a decent idea and perhaps even a main character in mind, but all the rest…is missing. Of course, many other stories are birthed plump and healthy; in these cases, all the major plot points are in place, the complete roster of characters are present and ring true in your heart, and all that’s left to do is to connect the dots…Still others…are born fully formed, as if merely buried in a mound of sand that needs only to be brushed away in order to discover the entirety of the story—crackling with life and energy and wonder—underneath. Chasing the Boogeyman was like that for me—just waiting there beneath the surface. Fully formed, brimming with mystery, and chock-full of surprises” (1, p. 319).


Comment: Richard Chizmar says he doesn’t remember creating “the entirety of the story,” except for brushing away a “mound of sand” covering it.


So who, then, wrote this novel? It was the author’s creative alternate personalities, for whose writing process he has a memory gap (a cardinal symptom of his mentally-well version of multiple personality): "multiple personality trait," the theme of this blog.


1. Richard Chizmar. Chasing the Boogeyman. New York, Gallery Books, 2021/2022.

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