BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Saturday, March 8, 2025

“The Strange Case of Jane O.” By Karen Thompson Walker


The author says Jane has a strange case of “dissociative fugue” (front flap) (1). And since Dissociative Fugue is one of psychiatry’s Dissociative Disorders, and the chief Dissociative Disorder is Multiple Personality (a.k.a. dissociative identity disorder), any novel with a dissociative patient under psychiatric care should evaluate the patient for multiple personality, which real-life patients often try to hide. But this novel never mentions multiple personality.


And since the author is a professor of creative writing (back flap) (1), she may have heard of Agatha Christie’s famous real-life case of dissociative fugue: When Christie was already famous, she disappeared from her home, and the search for her was headline news for weeks. She had disappeared after her husband was unfaithful, and she was eventually discovered checked-in at a hotel under another name (her dissociative identity).


In short, “time loss” is the single most common symptom of MPD, and fugue episodes are found in 55% of MPD patients (2, p. 59). Once a novel raises the issue of dissociation, a conscientious author must consider multiple personality.


1. Karen Thompson Walker. The Strange Case of Jane O. NewYork Random House, 2025.

2. Frank W. Putnam, MD. Diagnosis and Treatment of Multiple Personality Disorder,  New York, The Guilford Press, 1989. 

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