BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

MPD Textbooks: — Frank W. Putnam, MD. Diagnosis and Treatment of Multiple Personality Disorder (MPD) (a.k.a. Dissociative Identity Disorder (DID), New York, The Guilford Press, 1989. —James G. Friesen, PhD. Uncovering the Mystery of MPD, (includes discussion of demonic possession) Eugene, Oregon, Wipf and Stock Publishers,1997.

Saturday, September 27, 2025

“Broken Country” by Clare Leslie Hall: Author’s Creative Mind Since Childhood


“How quick I have become used to my double life” (1, p. 195). “I try to fit myself back into my duplicitous life” (1, p. 197).


“As a child I’d become so absorbed in my favorite stories, the characters sometimes felt more vivid to me than my friends. Even as an adult, I could still lose myself in fictional worlds, feeling the wrench when I was forced to return to real life” (1, p. 61).


Comment: The novel is divided into five parts, beginning in 1968 (1, p. 1). Why isn’t it organized into one continuous story with an omniscient narrator? In the context of all my past posts, I interpret the above as reflecting the mind of a successful novelist who has a creative version of “multiple personality trait” since childhood.


1. Clare Leslie Hall. Broken Country. New York, Simon & Schuster, 2025. 

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