BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Saturday, May 31, 2014

Times Book Review “The Dark Side” by Walter Kirn, on Daniel Levine’s Hyde, Ignores Multiple Personality, Wrongly Credits Freudian Psychology

In tomorrow’s New York Times, Walter Kirn begins his review by saying that Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde is “an allegory of the divided self” and that Stevenson “dramatizes human duality.” But Kirn does not mention multiple personality, per se.

Kirn then says that Daniel Levine’s Hyde tells the Jekyll-Hyde story from the perspective of Hyde who is: “the unconscious mind personified,” “an outlet for Jekyll’s buried lusts, a manifestation of his banished id,” “an integral, abiding second self who first emerged during Jekyll’s painful childhood as a defense against severe abuse,” some of it “clearly sexual” by a “sadistic father.” He says that this is “Freudian psychology.”

Kirn makes the following mistakes, all of which are common in book reviews. First, he doesn't mention multiple personality, per se, because he fails to recognize that the story involves multiple personality, per se. Second, he contradicts himself by saying that Hyde has been quite conscious since childhood—“able to observe the doctor’s deeds and draw inferences from his behavior”—but says that Hyde represents “the unconscious mind.” Third, he mistakenly credits Freud with explaining such cases. The fact is, Freudian psychology posits an unconscious, but these cases involve alternate personalities who are quite conscious. Thus, Freudian psychology cannot explain how any such case could ever exist, and classic Freudians usually miss the diagnosis.

Whenever one reviews stories that involve “the divided self,” “human duality,” or any version of “Jekyll-Hyde,” it is a mistake to invoke Freudian psychology or to use psychoanalytic literary theory.

The relevant perspective is Multiple Identity Literary Theory.

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