BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Sunday, May 25, 2014

Today’s New York Times essay “Poet vs. Novelist” by Pulitzer Prize Poet Philip Schultz is on Multiple Personality

Philip Schultz is an award-winning poet and an unpublished novelist. But the point of his essay is his subjective experience that he has a poetry-writing self and a novel-writing self, and that these subjective selves feel, to him, like separate people, with distinctly different attitudes toward each other.

“I’ve often suspected that the novelist in me resents everything the poet writes, maybe especially the very desire to write poetry…Perhaps the more interesting perspective is that of the poet in me toward the novelist. Courteous and cautious, the poet is something of a gentleman in his behavior toward the fiction writer. He tends to be deferential, even encouraging. The fiction writer could be equally successful if he just tried a little harder. The fiction writer, on the other hand, never wanted anything to do with the poet. His sole ambition was conquest and domination…The novelist can’t stand the idea of needing poetry, however much he likes nice-sounding language.”

Maybe great poets have multiple personality, too.

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