BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Saturday, June 21, 2014

Impersonation is Novelist Philip Roth’s Word for Normal Multiple Personality

Multi-award-winning novelist Philip Roth has said, “…everybody’s split…Everybody is full of cracks and fissures…Hiding them is sometimes taken for…not having them…It’s all the art of impersonation…That’s the fundamental novelistic gift…His art consists of being present and absent; he’s most himself by simultaneously being someone else, neither of whom he “is” once the curtain is down…Millions of people do this all the time, of course, and not with the justification of making literature…I am somebody who is trying vividly to transform himself out of himself and into his vividly transforming heroes. I am very much like somebody who spends all day writing” (1).

In short, Philip Roth’s concept of impersonation anticipates my concept of normal multiple personality (see blog glossary).

1. Hermione Lee. “Philip Roth: The Art of Fiction” (1984), in The Paris Review Interviews, Vol. IV. New York, Picador, 2009, pp. 203-235.
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