BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Wednesday, June 18, 2014

When Novelists Tell the Truth, Nobody Believes Them (One Major Theme of this Blog)

Novelists are fiction writers, “professional liars,” as they sometimes like to joke. But they occasionally do tell the truth, sometimes to confidants (like Dickens to Forster and Dolby; see June 2013 post), sometimes in autobiographies and television interviews (like Sue Grafton; see posts). As Mark Twain said, when he told the truth, nobody believed him (see posts).

Part of the reason that novelists are not believed in regard to their normal multiple personality [see blog glossary] is that they like to preserve plausible deniability. They make it look like they could be joking. They don’t insist that you pay attention and believe what they are saying. They tentatively raise the issue, but let it drop, if the interviewer doesn’t want to hear it. Which was the point of my recent post dramatizing what would be likely to happen if a novelist said in an interview that he was only the host personality [see blog glossary].

Novelists will not be straightforward about their normal multiple personality until interviewers and literary critics are interested. As the saying goes, “It takes two people to tell the truth, one to tell it and one to hear it.”

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