BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Monday, September 7, 2015

“Voice” metaphor used by both Adam Kirsch and Charles McGrath in NYT Book Review debate, “Is everyone a critic, or are special qualifications needed?”

If you search “voice” in this blog, you find more than fifteen posts. So I couldn’t help notice that both essays in yesterday’s New York Times “Bookends” debate used the voice metaphor.

Charles McGrath said, “How many of these voices [critics] are worth paying attention to is something else.” Adam Kirsch said, “In fact, appreciating a work of art requires the suspension of exactly that kind of judgment — the voice in your head telling you whether this book or this picture is done ‘the right way,’ which usually just means the familiar way.”

McGrath is speaking of critical voices out in the world, not in anyone’s head, but would it have occurred to him to use the voice to stand for a critic if he had never had a critical voice in his head?

Now, since there are many people who have never experienced their conscience or critical judgment as a voice in their head, the question arises as to why some people do have that experience. One fact to consider is that a rational voice in the head may imply the presence of an alternate personality.

So, is a person’s use of the voice metaphor a sign of multiple personality? Perhaps, but not necessarily, since they might be using “voice” as a buzzword or cliché.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.