BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Monday, December 28, 2015

George Eliot (post 9): She told her husband that her best writing was done by an entity “not herself,” an alternate personality that took possession of her.

“On 16 May 1880 Eliot courted controversy once more by marrying John Cross, a man twenty years her junior, and again changing her name, this time to Mary Anne Cross…They moved to a new house in Chelsea, but Eliot fell ill with a throat infection. This, coupled with the kidney disease she had been afflicted with for several years, led to her death on 22 December 1880 at the age of 61” (1).

“During our short married life,” says John Cross, “our time was so much divided between travelling and illness that George Eliot wrote very little, so that I have but slight personal experience of how the creative effort affected her. But she told me that, in all that she considered her best writing, there was a ‘not herself’ which took possession of her, and that she felt her own personality to be merely the instrument through which this spirit, as it were, was acting” (2, p. 343).

1. Wikipedia.
2. J. W. Cross (Editor). George Eliot’s Life as Related in Her Letters and Journals, Vol. III. New York and London, Harper & Brothers, 1885.

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