BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Sunday, August 28, 2016

“Hard-Boiled Wonderland and the End of the World” by Haruki Murakami (post 2): Science-fiction fantasy about protagonist with preexisting multiple personality.

In both the author’s Paris Review interview (see previous post) and the back cover of the novel, the nameless protagonist (search nameless and namelessness in this blog) of this novel is said to have a split mind due to brain surgery. And the character does, indeed, have such surgery.

But the novel also says that the protagonist, prior to surgery, already had multiple personality, possibly due to childhood trauma.

The Professor, who had done brain surgery on the protagonist and twenty-five other people, to make them into split-brained data processors, says to the protagonist (first-person narrator):

“All twenty-five of them died within a half-year of each other…And here you are, three years and three months later, still shuffling with no problems. This leads us t’believe that you possess some special oomph that the others didn’t”…

“So why didn’t I die?”

“…It seems you were operatin’ under multiple cognitive systems t’begin with. Not even you knew you were dividin’ your time between two identities…

“I find that very hard to believe,” I said.

“I can think of many possible causes,” the Professor assured me. “Childhood trauma…”

The protagonist acknowledges “this split personality of mine” (1, pp. 265-273).

In the Paris Review interview (see previous post), Murakami says that he feels “split” when he writes.

And as the Professor says, “Mental phenomena are the stuff writers make into novels” (1, p. 262).

1. Haruki Murakami. Hard-Boiled Wonderland and the End of the World [1985]. Translated by Alfred Birnbaum. New York, Vintage International, 1991/1993.

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