BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Saturday, August 27, 2016

Writing the way they think: Don’t ask novelists, “Is this autobiographical?” Ask “Is this a literary technique, or does it reflect the way your mind works?”

It is usually unproductive to ask novelists if things in their books are autobiographical, because the answer will depend on whether they take your question to address only their host personality or to include their alternate personalities, too.

For example, a fat character in a novel may not indicate that the author’s host personality ever had a weight problem, but that one of the author’s alternate personalities may have. So you might ask authors if something in their books is autobiographical for any of their personalities. However, I don’t know if novelists would treat the question as a joke or give an honest answer.

It might be better to ask if unusual features of their characters or stories—for example, “magical” aspects—are intentional literary techniques, or are, to some extent, the way the author thinks.

I have previously mentioned this issue. Search “experimental” to see prior posts. But it is worth repeating that most novelists write the way they do, not to make technical innovations, but because that is how they think.

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