BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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— If you read only recent posts, you miss most of what this site has to offer.

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Sunday, September 4, 2016

Robert Frost (post 2) heard voices since childhood: “His poems came to him like voices from nowhere,” quotes biographer, in passing, implying most poets do.

“Around the time of his seventh birthday, Frost himself began to hear voices and experience a touch of clairvoyance. His mother found this unsurprising, and comforted him with stories of other gifted people who could see and hear things that ‘ordinary’ people could not. ‘To the end of his life,’ said one friend, ‘Robert believed he could hear voices, real voices. His poems came to him like voices from nowhere. He liked to be alone just to listen, to communicate with the spirit world’ ” (1, p. 15).

Rational, constructive, complex, reappearing, auditory hallucinations—especially in the context of a successful, productive life—are the voices of alternate personalities.

Frost’s history of hearing voices is consistent with the hypothesis of my previous post to explain the contradictions in his “The Road Not Taken.”

If he thought of what his voices told him as gifts from the spirit world, he would not want to revise them to suit the understanding of ordinary people.

Since the biographer, who is a poet and novelist, mentions Frost’s hearing voices in passing, without comment or surprise, he must think that hearing voices is common and normal in poets and novelists.

For related past posts, search “voice” and “voices.”

1. Jay Parini. Robert Frost: A Life. New York, Henry Holt, 1999.

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