BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Tuesday, November 8, 2016

Parents of Novelists: Many novelists have a normal version of multiple personality, but one should not jump to conclusions or go on a witch hunt.

Even if the novelist’s multiple personality developed as a way to cope with the self-contradictory, frightening, or abusive behavior of a particular adult, that, by itself, would not prove the adult had multiple personality or that it was a parent. 

Moreover, it is possible that the multiple personality developed to cope with experiences for which no particular adult was to blame, such as illness, accidents, surgery, natural disasters, or war.

Furthermore, since the novelist has a normal version of multiple personality—meaning it does not cause clinically significant distress or dysfunction, and may even be an asset in writing novels—the childhood difficulty would likely have been less traumatic than that leading to multiple personality disorder.

In short, when anyone develops multiple personality, clinical or nonclinical, don’t jump to conclusions or go on a witch hunt. Nevertheless, not everyone has multiple personality: It usually happens for a reason.

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