BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Friday, March 3, 2017

“The Color Purple” by Alice Walker (post 3): Are Sofia and Shug so assertive because they are feminist, bisexual, or split personalities?

When the Mayor’s wife asks Sofia to be her maid, an offer meant as a compliment, Sofia answers “Hell, no,” which gets Sofia a horrific beating, imprisonment, and twelve years of hell. And since, in the Jim Crow South, what happens to Sofia was predictable, why did she say it?

What seems to happen is that when Sofia is threatened—treated subserviently or physically attacked—it triggers a sudden switch to an insolent, violent, protector personality. Sofia is primarily a split personality, and secondarily a feminist.

In contrast, Shug is more philosophical, and thinks through what she should do in terms of feminist principles. She is portrayed as primarily a feminist, but even Shug is described as possibly having a split personality:

“Shug say, Girl, you look like a good time, you do. That when I notice how Shug talk and act sometimes like a man. Men say stuff like that to women, Girl, you look like a good time. Women always talk about hair and health. How many babies living or dead, or got teef. Not bout how some woman they hugging on look like a good time” (1, p. 81).

Does the above indicate bisexuality rather than a split personality? I don’t know enough about bisexuality to answer that question. Nor can I confirm my speculation about Sofia’s multiple personality, because, at least in the part of the novel I’ve read so far, very little of Sofia’s point of view is given.

1. Alice Walker. The Color Purple. New York, Harcourt, 1982.

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