BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Sunday, June 25, 2017

“Fight Club” by Chuck Palahniuk (post 2): Public, Filmmaker, Publisher all try to ignore or minimize protagonist’s explicit, pivotal, multiple personality.

The Wikipedia entry for the novel makes relatively brief reference to alternate personalities, and does not mention multiple personality by name, except for a link at the bottom of the page to dissociative identity disorder (formal name for multiple personality). https://en.wikipedia.org/wiki/Fight_Club_(novel)

The Wikipedia entry for the film version makes only passing reference to “dissociated personalities” and does not discuss multiple personality by name. Moreover, the casting of two different actors for the protagonist’s alternate personalities (they share the same body) shows the filmmakers’ attempt to minimize the issue of multiple personality. https://en.wikipedia.org/wiki/Fight_Club

Even the novel’s publisher tries to ignore the protagonist’s multiple personality. The title of the novel, obviously, makes no reference to it. But there is also the copyright page’s list of subject headings under which the novel should be indexed. It makes no reference to multiple personality: 1. Millennialism—United States—Fiction. 2. Young men—United States—Fiction. 3. Apocalyptic fantasies. I. Title.

In short, even when multiple personality is an explicit, pivotal issue in a novel, many people try to minimize or ignore it, especially when the author does (see previous post).

Chuck Palahniuk. Fight Club [1996]. New York, W. W. Norton & Company, 2005.

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