BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Tuesday, February 27, 2018


“Freshwater” by Akwaeke Emezi: New York Times Book Review says protagonist has multiple personalities and novel depicts dissociative identity disorder.

The Times’ review—https://www.nytimes.com/2018/02/26/books/review/freshwater-akwaeke-emezi.html—says the protagonist, Ada, has “multiple personalities” and the novel is a depiction of “dissociative identity disorder” (the formal name for multiple personality), but that the novel explains it in terms of spirit possession, and “causes us to question science and reason.”

The review does not address whether the novel is autobiographical, purely fiction, or represented as autobiographical but really a hoax. Nor does the review mention the author’s claim elsewhere—https://brittlepaper.com/2018/01/friends-family-im-woman-akwaeke-emezi-nonbinary-transgender/—to be transgender and have had surgery.

Of particular interest to my blog in the Times’ review: “The story is narrated by Ada’s multiple personalities, and occasionally by Ada herself.” If that reflects the way this novel was written, it supports my thesis that fiction writers employ alternate personalities in their writing process.

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