BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Monday, May 14, 2018


“Miriam” by Truman Capote: “…it is not always possible to show others ‘the whys and wherefores’ of something that one has experienced in the mind”

In today’s New York Times, there is an article about an exchange of letters between Truman Capote and a reader of his short story “Miriam,” in which a 61-year-old widow, Mrs. Miller, whose first name is “Miriam,” meets a strange young girl with the same first name (1,2,3,4).

The story’s surprise ending—in 1946 it earned an O. Henry Award in the category Best First-Published Story—is that nobody else can see the girl, who will apparently continue to be Mrs. Miller’s imaginary companion.

The play Harvey (about an adult’s imaginary companion) had won the Pulitzer Prize in 1945 (5), but Capote says that “Miriam” came from his own mental experience.

In Capote’s letter to the reader, he says: “Of course there are clinical terms for what is actually mentally wrong with Mrs. M.: Sleeping Personality, Schizophrenia, etc. But my story is an imaginary document, and it is not always possible to show others ‘the whys and wherefores’ of something that one has experienced in the mind” (1).

In adults, imaginary companions are called alternate personalities.

And writers may not always be able to explain their stories.

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