BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Saturday, June 16, 2018


“Housekeeping” by Marilynne Robinson: Ruth, first-person narrator, reports her mother had committed suicide and her grandfather had behaved strangely

In Chapter 1, Ruth reports that in her childhood, mother had driven her and her younger sister Lucille to their grandmother’s house, at an hour the mother knew grandmother would be out, and left them there. The mother then drove away and committed suicide: she handed her purse to a stranger and drove the car off a cliff.

As to the girls’ father, Ruth says, parenthetically: “(I have no memory of this man at all. I have seen photographs of him…In one he is looking at my mother…)” (1, p. 14). Was she too young to remember him or does she have posttraumatic amnesia? Ruth does not offer an opinion.

Why did Ruth’s mother commit suicide? Was it related to Ruth’s father? Did it have anything to do with Ruth’s grandfather (who died in a train wreck when Ruth’s mother was fifteen)?

The behavior of Ruth’s grandfather had been strange: “How many times had she [the grandmother] waked in the morning to find him gone? And sometimes for whole days he would walk around singing to himself in a thin voice, and speak to her and his children as a very civil man would speak to strangers” (1, p. 10).

What would make a man, at times, speak to his wife and children as though they were strangers? A switch to an alternate personality who did not see himself as a member of that family.

Why doesn’t Ruth express her own opinion about her mother’s suicide and these other things? Does her character or culture exclude psychological, philosophical, and/or religious explanations? But this is only Chapter 1, and those things may come later.

1. Marilynne Robinson. Housekeeping. New York, Picador/Farrar Straus Giroux, 1980.

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