BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

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Friday, July 27, 2018


“My Year of Rest and Relaxation” by Ottessa Moshfegh (post 5): An alternate personality takes over by getting the host personality to hibernate

Near the end of the novel, as the protagonist is about to start the last and strictest phase of her “hibernation,” she acknowledges that “It was lunacy, this idea, that I could sleep myself into a new life. Preposterous” (1, p. 260). So what is all this talk about “hibernation”? Who, if anyone, was to go into hibernation?

The fact is, she is not trying to become a different person, per se. Although she has cleaned out her apartment of almost all her personal belongings, “I needed my birth certificate and my passport and my driver’s license. At the end of my hibernation, I’d wake up—I imagined—and see my past life as an inheritance. I’d need proof of the old identity to help me access my bank accounts, to go places. It wasn’t as if I’d wake up with a different face and body and name. I’d appear to be the old me…I was born into privilege…I was not going to squander that. I’m not a moron” (1, pp. 264-265).

So if she is not after sleep, per se, and she is not expecting to become a different person, per se, what kind of transformation is she after? The key is her drug of choice.

Having tried numerous medications, she now plans to take the only one, Infermiterol, that does what she really wants, which is not to simply hibernate, but to make her want to do things that had been out of character: “Infermiterol had made me do things out of my nature for days at a time without my knowledge” (1, p. 216).

Infermiterol (a fictitious medication) was her ideal drug, because it caused her to switch to one or more alternate personalities. And by taking it for an extended period of time, she hoped to achieve a permanent switch to an alternate personality.

Actually, it was only the host personality who was to go into hibernation. “Hibernation” using Infermiterol was the plot by her alternate personality to take over.

The first-person narrator is nameless, because the one telling the story is the alternate personality. She doesn’t want to lie to the reader by claiming to be the host personality, but like most alternate personalities, she prefers to remain incognito.

1. Ottessa Moshfegh. My Year of Rest and Relaxation. New York, Penguin Press, 2018.

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