BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Thursday, July 26, 2018


“My Year of Rest and Relaxation” by Ottessa Moshfegh (post 4): She hopes sleep will cure possession and harassment by alternate personalities

“I’d wake up to find voice messages on my cell phone from salons or spas confirming appointments I’d booked in my sleep…An occasional package from Barneys or Saks provided me with men’s pajamas and other things I couldn’t remember ordering” (1, pp. 1-2).

While her host personality is asleep, alternate personalities are busy, but at least she (the host personality) does not hear their voices, as she often does when awake (see below).

“I can’t point to any one event that resulted in my decision to go into hibernation…I just wanted…to drown out my thoughts and judgments, since the constant barrage made it hard not to hate everyone and everything…” (1, pp. 17-18).

To say that her thoughts and judgments were a “constant barrage” implies she felt harassed by thoughts and judgments from alternate personalities.

“I was tall and thin and blond and pretty and young. Even at my worst, I knew I still looked good” (1, p. 27).

If the protagonist is blond, why is the cover art a portrait of a brunette? Is one of the alternate personalities a brunette?

If I had a distinct thought, I would hear it…conversation with myself” (1, p. 39).

She was hearing the voices of alternate personalities and conversing with them.

1. Ottessa Moshfegh. My Year of Rest and Relaxation. New York, Penguin Press, 2018.

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