BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Friday, August 3, 2018

“The Red House Mystery” by A. A. Milne (author of “Winnie-the-Pooh”): Novel may reflect author’s multiple memory, typical of multiple personality

At the beginning of this novel, Antony—an amateur detective, who eventually solves the murder mystery—mentions that he has an eidetic or photographic memory.

But since it turns out that this talent is not essential to solving the mystery, and is not mentioned in most of the rest of the novel, why is it in this novel at all?

And it is a very peculiar kind of photographic memory, for it seems to involve two memory banks, with one of them recording memories outside the awareness of the other, which you would expect to find only in persons with multiple personality.

“Antony…had a wonderfully retentive mind. Everything he saw or heard seemed to make its corresponding impression somewhere in his brain; often without his being conscious of it; and these photographic impressions were always ready for him when he wished to develop them” (1, p. 23).

“Well, I can’t explain it, whether it’s something in the actual eye, or something in the brain, or what, but I have got a rather uncanny habit of recording things unconsciously…I mean my eyes seem to do it without the brain consciously taking part.” (1, p. 58).

He gives an example of remembering how many steps there are at the entrance to a building that he had previously visited. His regular memory would not know how many steps there had been, but if he now wanted to know, then his other memory bank would provide him with a photographic image of the steps, allowing him to count them (1, p. 58).

These multiple memory banks are suggestive of multiple personality, in which the host personality is helped by an alternate personality, who has remembered things that the regular personality had not.

And since neither the plot nor character development of this novel requires the protagonist to have this, it probably reflects the author’s own mentality.

Search “gratuitous multiple personality” for previous discussions.

1. A. A. Milne. The Red House Mystery [1922]. Smoking Gun Mystery Books, 2017.

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