BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Wednesday, December 12, 2018


Martin Amis (post 5), in interview, said, “My mind, like everyone else’s mind, is full of jabbering voices.” Is that true of your mind?

“The idea [for a novel] can be incredibly thin—a situation, a character in a certain place at a certain time. With Money, for example, I had an idea of a big fat guy in New York, trying to make a film. That was all” (1, p. 335).

“Writers…don’t know what makes them write…They don’t know why they plant minor characters early on in a novel who turn up with a specific function later on. When things are going well, you do have the sense that what you’re writing is being fed to you in some way…It’s a secret, even to the writer” (1, pp. 345-346).

“My mind, like everyone else’s mind, is full of jabbering voices” (1, p. 350).

“I feel that if they [characters] are alive in your mind, they’re going to have ideas of their own and take you places you wouldn’t perhaps have gone” (1, p. 352).

Comment
Most people’s minds are not like Martin Amis’s, which is why most people are not successful fiction writers.

1. Martin Amis, 1998 interview, pp. 332-357, in The Paris Review Interviews, III. New York, Picador, 2008.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.