BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Thursday, December 13, 2018

“Money” by Martin Amis (post 6): John Self, the protagonist, and Martin Amis, the writer, are both alternate personalities of Martin Amis

I will conclude this novel by clarifying the nature of one of its characters, “Martin Amis, the writer.”

Martin Amis, the writer, is not the same as Martin Amis, regular person (sibling, spouse, parent, friend, etc.). The latter is the author’s host personality; the former is his alternate personality who does the writing.

Martin Amis, the writer, and John Self, the protagonist, are both alternate personalities of Martin Amis, the regular, host personality. The writer personality is more real than the protagonist personality only in the sense that the writer personality will continue to have an active worldly function in the person’s ongoing life, while the protagonist personality of this particular novel will probably be retired, and remain inside, like other characters in the person’s previous novels.

The inclusion of Martin Amis, the writer as a character in this novel exposes a usually hidden aspect of the fiction writing process: novels are written, in large part, by alternate personalities (writers, narrators, characters, muses, editors).

However, the author’s interview personality (host?), in presuming that everyone’s mind “is full of jabbering voices” (see past post), may have assumed that all his readers would be familiar with alternate personalities (due to having their own). But not all readers of novels have multiple personality trait.

It is an interesting question as to what percentage of people who read novels have multiple personality trait. Since I estimate that 90% of novelists have it, and guess that up to 30% of the general public has it, I would guess that 60% of people who love to read novels have it. But that is only a guess.

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