BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Wednesday, January 30, 2019


Diaries and Journals: In post earlier today, the novelist may have gotten idea—a diary kept by protagonist and his alternate personality—from his own life

As I discussed in a past post:
August 31, 2015
Novelists keep journals and have “waking-dreams” so that alternate personalities who are usually not co-conscious can communicate

In multiple personality, many alternate personalities are not co-conscious (they are not aware of each other). Or, they may have one-way awareness: “B” is aware of “A,” but “A” is not aware of “B.” Or, they may have indirect knowledge: “C” has seen books bearing “A’s” name. Or, personalities may just want to express themselves.

There are several ways for an alternate personality to send a message. If “B” hates “A’s” necktie, “B” can throw it out, but that is dysfunctional. A better way is for “B” to verbalize his complaint, which “A” will experience as a voice in his head or a loud thought.

Since novelists may be keeping a journal anyway—to collect and work on things of potential use in their writing—“B” can make an entry in the journal for “A” to see. Seeing the entry, “A” might realize that he has an alternate personality, but most novelists probably think of it as a message from their “unconscious” or “shadow,” a new character, or their literary muse.

When voices and journal entries do not suffice, the novelist may have a “waking-dream,” in which they meet the alternate personality and see what the alternate personality wants them to see.

Added Comment
However, some novelists may instinctively avoid reading diaries and journals: that’s one reason that personalities who are not co-conscious remain unaware of each other.

This may also be the reason that some writers never read their old novels. They have various other explanations, but that personality’s real reason may be that it doesn’t want to come upon things for which it can’t account.

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