BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Thursday, February 28, 2019


Time Travel stories are amazingly common (1, 2), because fiction writers, by virtue of multiple personality, may have personally experienced time travel

Most fiction writers have multiple personality trait, in which alternate personalities may see themselves as being a different age than the person’s actual age.

For example, the regular, host personality sees itself as being the person’s actual age, say 30, but one alternate personality may see itself as being 18 and another as being 5. And the 5-year-old may think that it is still the year in which it originated (when the person was five). So when the person switches to their 5-year-old personality, they will have time-traveled back to the year when the person was five (in subjective reality).

And if the writer, as a child, had read, or been told, historical stories, the reality of those stories may have been adopted as the reality by an alternate personality. Or the child may have come up with its own imaginary world, which is common enough to have been given a name: “paracosm” (3). (Search “paracosm.”)

In short, when fiction writers do time travel stories, they may be writing what they know (by virtue of their multiple personality).

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