BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Sunday, March 3, 2019


“Père Goriot” by Honoré de Balzac (post 2): Both narrator and author may have been thinking in terms of multiple personalities

In the rest of the novel, the narrator continues to distinguish between Eugène de Rastignac’s two personalities, Eugène and Rastignac. And in a couple of passages, the narrator appears to be quite conscious of what he is doing. Indeed, the narrator wonders if the young man might have a third personality, when he says that there “simultaneously coexist in any young Parisian male…two or three men at the same time” (1, p. 121).

Did Balzac think that he, himself, had multiple personalities? He may have:
“To break away from one’s habits, to become another person through the intoxication of one’s moral powers,” he wrote to his sister in November 1819, “and play that game at will, such was my pastime” (2, p. 20). And “Balzac was fond of boasting, only half in jest, that he contained within his short stature a rich array of contradictory personalities” (2, p. 142).

Perhaps two of his contradictory personalities were “Honoré” and “Balzac.”

1. Honoré de Balzac. Père Goriot [1835]. Trans. Burton Raffel. Ed. Peter Brooks. New York, W. W. Norton, 1994.
2. Diana Festa-McCormick. Honoré de Balzac. Boston, Twayne Publishers, 1979.

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