BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Tuesday, May 28, 2019

“As I Lay Dying” by William Faulkner (post 12): Darl is depicted as having a split personality, the condition Faulkner said was typical of fiction writers

Darl’s doppelgänger or double (alternate personality)—“Against the dark doorway he seems to materialise out of darkness” (1, p. 126)— burns down a barn. And Darl, referring to himself in the third person (typical of multiple personality, not schizophrenia), is sent to a hospital (1, p. 146).

But Faulkner was sympathetic to Darl. He depicts him as the most articulate character. And he has one of the other characters say: “But I aint so sho that err a man has the right to say what is crazy and what aint. It’s like there was a fellow [an alternate personality?] in every man…” (1, p. 137).

Moreover, in post 7, I have a link to an audio interview of Faulkner in which he say says: “I think that—that a writer is a—a perfect case of split personality.”

Of course, a “split personality” is an informal term that may refer to either a clinical disorder or a nonclinical trait. Darl’s burning down a barn made it multiple personality disorder, a nonpsychotic, clinical diagnosis. But if a person just writes novels and wins Nobel Prizes, it’s what I call multiple personality trait, a creative ability, not a diagnosis.

1. William Faulkner. As I Lay Dying [1930]. New York, WW Norton, 2010.

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