BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Saturday, January 23, 2021

“Villette” (post 3) by Charlotte Brontë (post 15): Protagonist Lucy Snowe has “two lives,” trance states, and switches back to being Lucy Snowe


“I seemed to hold two lives—the life of thought, and that of reality; and, provided the former was nourished with a sufficiency of the strange necromantic joys of fancy, the privileges of the latter might remain limited to daily bread, hourly work, and a roof of shelter” (1, p. 77).


Most people feel like they are one person who has both private fantasies and practical thoughts. Persons with multiple personality may feel they have two (or more) ways of thinking and feeling that are so different it’s like different people.


“Oh, my childhood! I had feelings: passive as I lived, little as I spoke, cold as I looked, when I thought of past days, I could feel. About the present, it was better to be stoical; about the future—such a future as mine—to be dead. And in catalepsy and a dead trance, I studiously held the quick of my nature” (1, p. 109).


Her references to a problematic childhood, being suicidal, and trance states are not adequately explained, but such things are more common in persons with multiple personality.


“I never had felt so strange and contradictory an inward tumult as I felt for an hour that evening: soreness and laughter, and fire, and grief, shared my heart between them…However, that turmoil subsided: next day I was again Lucy Snowe” (1, p. 119).


She probably feels “strange and contradictory,” because of switching among conflicting alternate personalities, but by the next day, she has switched back to her regular personality, Lucy Snowe.


1. Charlotte Brontë. Villette [1853]. Edited by Margaret Smith and Herbert Rosengarten. Introduction and Notes by Tim Dolan. Oxford, Oxford University Press, 2000/2008. 

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