BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Sunday, May 2, 2021

“Blaze” (post 4) by Richard Bachman (Stephen King) (post 19): Police coming; George says kill baby; George suddenly gone; Blaze and baby flee


As quoted in post 3, Blaze had begun to realize that George was an alternate personality. However, “he certainly didn’t realize that…George was…the creation of a mind working at a feverish, half-crazed pitch below the burnt-out surface stupidity. For years he had identified himself as a dummy, coming to accept it as just one more part of his life, like the dent in his forehead [from physical abuse in childhood]. Yet something continued to work away beneath the burnt-out surface…This was the part that remembered everything. Every hurt, every cruelty, every bad turn the world had done him” (1, p. 173).


Meanwhile, newspapers indicated that the police were coming, and he had to flee. George pressed him to kill the baby, which Blaze almost does. So it was the baby or George. One of them had to disappear. And “Suddenly George was gone” from Blaze’s awareness (1, p. 197).


So Blaze packs the car, and he and the baby flee.


1. Stephen King (writing as Richard Bachman). Blaze [1973/2007]. New York, Gallery Books, 2018. 

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