BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Saturday, July 31, 2021

“Play It As It Lays” by Joan Didion (part 3): Maria is estranged from husband Carter and visits daughter Kate, but Maria appears to have memory gaps


“She looked at Carter sitting in the living room…

“ ‘You going to stay here?’ she said…

“ ‘All my things are here, aren’t they?…

“ ‘I mean I thought we were kind of separated…

“ ‘If that’s the way you want it.’

“ ‘It wasn’t me. I mean was it me?’

“ ‘Never, Maria. Never you.’

“There was a silence. Something real was happening: this was, as it were, her life. If she could keep that in mind she would be able to play it through, do the right thing, whatever that meant…


“ ‘I was going out to see Kate,’ she said finally.

“ ‘How many times you been out there lately?…

“ ‘Hardly at all,’ she said, and then: ‘In the past few weeks, maybe a couple of times.’

“ ‘You’ve been there four times since Sunday…They called me,’ Carter said… ‘They called me to point out that unscheduled parental appearances tend to disturb the child’s adjustment…We’ve been through this, Maria. We’ve done this number about fifty times’” (1, pp. 40-42).


Comment

Maria is not sure what has been going on in her marital relationship or how often she has been visiting her daughter. “Something real was happening: this was, as it were, her life. If she could keep that in mind she would be able to play it through, do the right thing, whatever that meant…”


Carter doesn’t know if his wife is devious, scatterbrained, or mentally ill. All he knows is that she continually acts this way: “We’ve done this number about fifty times.”


Maria appears to have a cardinal symptom of multiple personality: memory gaps.


1. Joan Didion. Play It As It Lays [1970]. New York, Farrar Straus Giroux, 2005.

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