BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Sunday, August 1, 2021

“Play It As It Lays” by Joan Didion (post 4): Maria sees someone else in the mirror, a symptom of multiple personality


Some reviewers liked this novel (1), others didn’t (2), but none realized that the protagonist has symptoms of multiple personality. In addition to the symptoms discussed in previous posts, there is this:


“She looked again into the hand mirror and again saw her mother” (3, p. 64).


Readers may think that the above is purely metaphorical, if they don’t know it is a symptom of multiple personality (4). The text does not say that a family resemblance reminded her of her mother, but that she “saw her mother.” She saw an alternate personality that originated as an identification with her mother.


Assuming that the author did not intend to imply that the protagonist has multiple personality, I infer that the presence of such symptoms in this novel—what I call “gratuitous multiple personality”—may be a reflection of the author’s multiple personality trait.


1. John Leonard. “The Cities of the Desert, The Desert of the Mind.” The New York Times of July 21, 1970. https://www.nytimes.com/1970/07/21/archives/books-of-the-times-the-cities-of-the-desert-the-desert-of-the-mind.html

2. Lore Segal. “Maria knew what ‘nothing’ means.” The New York Times of August 9, 1970. https://www.nytimes.com/1970/08/09/archives/maria-knew-what-nothing-means-play-it-as-it-lays-play-it.html

3. Joan Didion. Play It As It Lays [1970]. New York, Farrar Straus Giroux, 2005.

4. Frank W. Putnam, MD. Diagnosis and Treatment of Multiple Personality Disorder. New York, The Guilford Press, 1989, p. 62.

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