BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Sunday, August 8, 2021

“Aurora Leigh” by Elizabeth Barrett Browning (post 4): “Marian’s dead,” says Marian (or is it Marian’s alternate personality who is speaking?)


In the Sixth Book, Marian Erle, the lower class, poorly educated woman whom Aurora’s cousin, Rodney, had been about to marry, had suddenly disappeared on the wedding day. She is eventually found by chance by Aurora in Paris. Lady Waldemar, who had wanted to marry Rodney, had tricked Marian, had sent her away, and Marian had wound up drugged and raped in a Paris brothel. She is now caring for her baby.


Marian says: “Marian’s dead…I’m dead, I say…I’m nothing more but just a mother. Only for the child…just for him!…” (1, p. 204).


Marian starts by referring to herself in the third person (“Marian’s dead”), which may mean that the Marian who is “dead” is not the one speaking. The one speaking may be an alternate personality who specializes in child care.


But she quickly changes to first person, which may be the alternate personality’s way of hiding: Alternate personalities prefer to remain incognito and don’t want people to think that the person is crazy.


I will see if this is clarified in the rest of the novel.


1. Elizabeth Barrett Browning. Aurora Leigh [1856/1859]. Edited by Margaret Reynolds. A Norton Critical Edition. New York, W. W. Norton, 1996.


Added Aug. 9: In multiple personality, a personality is referred to as "dead" when it is inside and unable to come out. But it is still there and could be resurrected, so to speak, as when Dr. Manette, a character with multiple personality in Dickens's A Tale of Two Cities, was "recalled to life."

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