BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Monday, August 2, 2021

“The Year of Magical Thinking” by Joan Didion (post 6): Magical thinking may have been multiple personality


It is surprisingly common for a person to have comforting hallucinations of a deceased, beloved spouse, which is one reason that many people believe in ghosts. For example: https://www.washingtonpost.com/news/soloish/wp/2017/07/17/ghosted-im-a-new-widow-living-in-denial-that-my-husband-is-gone/


But what Joan Didion describes in her memoir of the year following the death of her husband is different:


“I was thinking as small children think, as if my thoughts or wishes had the power to reverse the narrative, change the outcome. In my case this disordered thinking had been covert, noticed I think by no one else, hidden even from me, but it had also been, in retrospect, both urgent and constant” (1, p. 35).


Didion had been there when her husband collapsed. She called the ambulance, went to the hospital, and consented to the autopsy, cremation, and obituaries. Her regular personality was in no doubt about her husband’s death and its permanence.


However, she deduced from various of her other attitudes and actions that she also had a child-like part of her mind—“covert” and “hidden even from me”—who didn’t understand death as being permanent.


She didn’t think of this covert, hidden part of her mind in terms of multiple personality, but it was probably a child-aged alternate personality, who pulled strings from behind-the-scenes.


1. Joan Didion. The Year of Magical Thinking [2005]. New York, Vintage International, 2007.

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