BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Friday, March 3, 2023

“The Shipping News” (post 2) by E. Annie Proulx (first edition) or Annie Proulx (later edition): Novel’s confusing assortment of psychological and medical issues 

“Quoyle [the protagonist] shambled, a head taller than any other child around him, was soft. He knew it. ‘Ah, you lout,” said the father. But no pygmy himself. And brother Dick, the father’s favorite, pretended to throw up when Quoyle came into the room, hissed ‘Lardass, Snotface, Ugly Pig, Warthog, Stupid, Stinkbomb, Fart-tub, Greasebag,' pummeled and kicked until Quoyle curled, hands over head, sniveling, on the linoleum. All stemmed from Quoyle’s chief failure, a failure of normal appearance [including] a giant’s chin” (1, p. 2). 


Comment: By “a giant’s chin,” did the author mean to imply that the protagonist had acromegaly, a neurological-hormonal illness, which may be complicated by avoidant personality traits?


“ ‘Yis, said the old man. ‘I remembers the Quoyles and their trouble. They was a savage pack. In the olden days they say Quoyles [family] nailed a man to a tree by ‘is ears, cut off ‘is nose for the scent of blood to draw the nippers and flies that devoured ‘im alive..” (1, p. 139).


Comment: I will continue reading in the hope that these psychological and medical issues will be clarified.


1. Annie Proulx. The Shipping News [1993]. New York, Scribner, 2003.

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