BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Monday, January 8, 2024

“The Woman in White” (post 1) by Wilkie Collins: Title Character Probably Has Multiple Personality


The narrator, Walter Hartright, talks with the mysterious title character, trying to find out if she was the one who wrote an anonymous letter warning Miss Fairlie not to marry a particular man.


But it is a difficult interview, because the Woman in White has strange memory gaps and changes in demeanor.


She is confused by her memory gaps, saying, “It’s little enough I remember…little enough, little enough!” (1, p. 118).


“Don’t ask me about mother,” she went on. I’d rather talk of Mrs. Clements. Mrs. Clements is like you, she doesn’t think that I ought to be back in the Asylum; and she is as glad as you that I escaped from it. She cried over my misfortune, and said it must be kept secret from everybody…


“What misfortune?” I asked.


“The misfortune of my being shut up, she answered, with every appearance of feeling surprised at my question. “What other misfortune could there be?”


“There is another misfortune,” I said, “to which a woman may be liable, and by which she may suffer lifelong sorrow and shame.”


"What is it?” She asked eagerly…


“She looked up at me, with the artless bewilderment of a child. Not the slightest confusion or change of color; not the faintest trace of any secret consciousness or shame struggling to the surface, appeared on her face—that face which betrayed every other emotion with such transparent clearness.”


[She had probably written an anonymous letter warning Miss Fairlie not to marry a particular man, who was probably the man responsible for her own “misfortune.”]


“I never wrote it…I know nothing about it!”


[But] The instance I risked reference to [the man who had probably caused her "misfortune,” and put her in the Asylum [to cover up his crime]…a most extraordinary and startling change passed over her. Her face… became suddenly darkened by an expression of maniacally intense hatred and fear. Her eyes dilated….like the eyes a wild animal…


“Talk of something else,” she said. I shall lose myself if you talk of that” (p. 118-123).


Comment: Memory gaps for writing the letter and for her probable sexual “misfortune,” together with her talk of “losing” herself (switching away from her regular personality), all suggest dissociative identity disorder (multiple personality).


I recognize this as a presentation of multiple personality, because of my clinical psychiatric experience in its diagnosis and treatment. And I’m not surprised to find it in a novel by Wilkie Collins, who was a friend of Charles Dickens. Search “Dickens,” “memory gaps,” and “diagnosis” in this blog.


1. Wilkie Collins. The Woman in White. New York, Bantam Classic, 1860/1985. 

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.