BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Thursday, January 11, 2024

“The Woman in White” (post 2) by Wilkie Collins: Count Fosco joins the title character (see post 1) in probably having multiple personality


“All the smallest characteristics of this strange man [Count Fosco] have something strikingly…and perplexingly contradictory in them” (1, pp. 266-271).


Comment: According to a textbook on multiple personality, one hallmark of new patients who later prove to have MPD is “frequent inconsistencies” (2, p. 72), because each (as yet undiagnosed) alternate personality has its own memories, interests, attitudes, and behaviors.


I won’t assume that the author intended that either the title character or Count Fosco be seen as having multiple personality unless and until he explicitly labels them as such. If he never does label them as such, then I will view these symptoms of multiple personality as unintended, and probably reflective of the author’s own “multiple personality trait.” Up to the point I’ve read, Count Fosco’s perplexing contradictions have served only to make the good-guy characters doubt that they can trust him.


Search “contradictory,” “inconsistency,” and “puzzling” in this blog to see relevant past posts on other novels.


1. Wilkie Collins. The Woman in White. New York, Bantam Classic, 1860/1985

2. Frank W. Putnam, MD. Diagnosis and Treatment of Multiple Personality Disorder. New York, The Guilford Press, 1989. 

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