BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Tuesday, April 30, 2024

“The Black Echo” (post 1) by Michael Connelly: Protagonist Harry Bosch “whispered to no one”


Detective Bosch is in the empty apartment of a man whose body has just been found in a drainpipe of Mulholland Dam in Los Angeles. And Bosch does not want that death to be just another statistic. So how does he prepare his mind to find clues?


“Tell me something,” he whispered to no one (1, p. 41).


Comment: I doubt novelist Michael Connelly would have his protagonist “whisper to no one” (a nonperson person?) unless that made sense to him. So what kind of nonperson persons do novelists consult? I would say their creative alternate personalities. But will there be any evidence of that kind of psychology in the rest of this 500-page novel? I’ll see.


1. Michael Connelly. The Black Echo. New York, Grand Central Publishing, 1991.

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