BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Tuesday, February 13, 2018


“V.” by Thomas Pynchon (post 4): Fausto Maijstral, confessing to four personalities, differing in memory, calls it “false assumption that identity is single”

There is one other character who deserves mention in regard to multiple personality. But since this character does not think of it as multiple personality—a particular condition, with a clinical version known to psychiatry—he discusses it as though it were true of everyone.

In “Confessions of Fausto Maijstral” (chapter eleven), the character divides his life into four personalities, Fausto Maijstral I-IV. He says that each personality has its own memory, making memory unreliable, since it will differ depending on which personality you ask:

“Now memory is a traitor: gilding, altering. The word is, in sad fact, meaningless, based on the false assumption that identity is single, soul continuous” (1, p. 287).

However, identity is single for most people. They have different moods and roles, but their memory is continuous. Novelists and others who have the nonclinical version of multiple personality, but do not recognize it as such, may assume that everyone is multiple, but most people are not.

Although a sizable minority of people, some very gifted, do have the normal version of multiple personality—I estimate over 90% of novelists and up to 30% of the general public—most people, at least 70%, do not.

1. Thomas Pynchon. V. [1963]. New York, Bantam Books, 1984.

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