BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Thursday, August 5, 2021

“Aurora Leigh” by Elizabeth Barrett Browning (post 2): Aurora’s alternate personalities—a skeptic, her “pipers,” and a strong one who sees her in the mirror


This first-person verse novel is composed of nine chapters or “books.” I will conclude First Book with the following quotes:


Skeptic interrupts Aurora's first-person narration:

                              “What’s this, Aurora Leigh,

You write so of the poets, and not laugh?

Those virtuous liars, dreamers after dark,

Exaggerators of the sun and moon,

And soothsayers in a tea-cup?

                                                 I write so

Of the only truth-tellers now left to God,

The only speakers of essential truth,

Opposed to relative, comparative,

And temporal truths…” (1, p. 30).


Aurora’s “own best poets,” poets inside her, her “pipers”:

“My own best poets, am I one with you,

That thus I love you, - or but one through love?

                             …do you play on me

My pipers, - and if, sooth, you did not blow,

Would no sound come?” (1, pp. 30-31).


Mirrors in Multiple Personality

                            “…I clenched my brows across

My blue eyes greatening in the looking-glass,

And said, ‘We’ll live, Aurora! we’ll be strong” (1, p. 36).


Search “mirrors” for past posts on this recurring issue in multiple personality.


1. Elizabeth Barrett Browning. Aurora Leigh [1856/1859]. Edited by Margaret Reynolds. A Norton Critical Edition. New York, W. W. Norton, 1996.

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