BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Wednesday, October 5, 2022

Mark Twain, Stephen King, and Toni Morrison said writers don’t “create” characters, and so must learn to “prune” and “control” them


Most book reviewers, professors of literature, and judges for awarding literary prizes still think of literary characters as totally controlled by their authors. Why then, as I’ve quoted in past posts, have writers like Mark Twain said that authors never “create” characters? Why have bestselling authors like Stephen King said authors must “prune” their characters? And why has a Nobel Prize novelist like Toni Morrison said she could tell when characters had gotten away from their authors, who must learn to “control” them?


Most book reviewers, professors of literature, and judges for awarding literary prizes still think it is a joke when authors say that their major characters talk to them and seem to have minds of their own. I used to think they were joking, too. But I finally realized it is their creative process, not a joke. And it’s time that others realized it, too.


One implication is that judges for awarding literary prizes should think twice before awarding novels whose idiosyncrasies are not the author’s brilliance, but are, as Toni Morrison might say, the author’s failure to control her characters.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.